Natural History Cinematographer
Maxwel Hohn

STOCK VIDEO with exclusive use or non-exclusive licenses, available by the second in 4K-8K. Please contact me.
Underwater Cinematographer / Long Lens & Topside / Drone and FPV / Commercially Certified

Secrets of the Octopus
Disney / National Geographic
Underwater Camera, Topside Interview, Gimbal, FPV and Drone Operator.

Our Planet II
Netflix / Silverback
Jackson Wild Award
Underwater, Topside, Macro, Drone, Gimbal Operator.

Islands: Nature's Wild Laboratories
Sky / National Geographic
Underwater, Long Lens, Macro and Drone Operator.

Mountains on the Moon
Las Vegas Sphere
Underwater Cinematographer.

Island Of The Sea Wolves
Netflix
4 Emmy Award wins (including cinematography)
Underwater, Long lens, Macro, Drone, FPV, Pole Cam and Remote Camera Operator.

Big Beasts
Apple TV
Underwater Camera Operator.

Incredible Animal Journeys
Disney / National Geographic
Underwater Camera Operator.

Deadman’s Curse
History TV
Underwater Camera Op, ROV Pilot and Cast Diving Instructor.

Sea Forest
IMAX
Underwater, Long lens, Macro, and Drone Operator.

Shared Planet
CBC / Arte - In production
Underwater Camera, Long lens and Drone Operator.

Nature’s Hidden Miracles
NHK-G
Topside Camera Op, Gimbal, Drone and Interview.

FlyOver Canada II
FlyOver Canada
Underwater Camera Op.

Shaped by Wild
Arc'teryx
Underwater Camera Operator.

La Mer
Pachamama
Underwater Camera, Drone, Cast Diving Instructor

Our Water World
Netflix / Wildspace
Underwater Camera, tank work

Originate
Red Bull
Underwater Camera and Cast Diving Instructor

Big Island Migration
Peak Productions
Topside Camera Op, Gimbal, Drone and Interview.

Your Nations Table
CBC
Underwater Camera Op and Drone.

The Last Stop
Hoghead Media
Underwater Camera Op
What cameras, housings and equipment do you use?
Whatever tool the job calls for, but my primary camera is usually my 8K RED V-Raptor in a Nauticam underwater housing. I also use a Canon R5 with Nauticam underwater housing, and my old underwater Panasonic GH5ii is still going strong! GoPro's, remote cameras, pole cams, ROVs and a roster of underwater grip gear like electronic sliders are also on hand. Light & Motion Sola Video Pro underwater lights, and a selection of RED compatible lenses for a range of shooting scenarios are always in my growing kit bag. In addition, for aerial I use a DJI Inspire 2, Mavic Pro Cine 3 and DJI FPV drones for capturing energetic aerial visuals.
What are the challenges with videoing from the air, land and sea?
The biggest challenge in these elements is having the correct gear for the shoot. In one day I could be switching between aerial, underwater and land videography, so I have to pack accordingly while trying to maintain a reasonable amount of gear to travel with - some of the places I shoot are very remote or require special transport to get there. It's all about the right tool for the job. It's also important to have an experienced camera assistant and safety diver - someone that knows my cameras, and my diving, inside and out.
Do you have fun making these shows?
Absolutely! It's a great seeing a production through from start to finish and I enjoy working as part of a larger scale production crew, especially when you get to see the finished show broadcast for the first time.
